They get paid, of course, and while it’s safe to assume Patterson gets the lion’s share of the profits, certainly they must make a tidy sum. As Patterson himself says, “I’m very good at plot and characterization but there are better stylists.”Īs for the co-authors, the benefits are obvious. Then begins a pretty intense back-and-forth Mark Sullivan, who co-wrote several of Patterson’s Private series as well as Cross Justice, described weekly phone calls, brutally honest feedback, and a tireless pursuit of the “terrific.” So it’s not fair to imply that Patterson is simply coasting on his brand name the collaborative novels are his ideas, his characters, and a great deal of his input. Patterson has been pretty open about his collaborative process: He hires a writer, usually someone with some published credits, and gives them a lengthy, detailed treatment, usually somewhere in the 60-80 page range. That’s no secret-and it doesn’t mean they’re not his stories. Of course, James Patterson doesn’t actually write a good many of his novels. Every year he publishes several books, and every year those books go straight to the bestseller lists. Rowling-both of whom he outworks and outsells). Ask anyone for an example of a famous writer, and Patterson will easily be in the top three responses (possibly after Stephen King and J.K. James Patterson is so successful as an author his picture is likely found under the word bestseller in the dictionary.
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